“All the World’s a Stage…”
Sense &
Sensibility—Portland Center Stage—Pearl District
This stage adaptation by Kate Hamill of the classic novel by
Jane Austen is directed by Eric Tucker.
It is playing at their space at The Armory, 128 NW 11th Ave.,
through February 10th. For
more information, go to their site at www.pcs.org
Although the sexes still may not be equally balanced, I
think women and, to some extent, men, would never survive in the atmosphere of
Ms. Austen. Women, back then, could not
inherit or own property, they really had no money of their own, they could not
be seen with men without a female companion along, and they certainly couldn’t
have a responsible job, and no voting rights or political positions, either. They were simply to look pretty at all times
and hope that some rich man would consent to marry them, in order to gain a
certain respectability and position in society.
Men were somewhat better off materially but no upper crust
gentleman could actually hold a job or be seen with a young woman unaccompanied
by her companion. They also had to be
aware of their position and only go to the “right” parties and be seen with
only the “right” people. And, with both
sexes, Love had little or nothing to do with marriage. How times have changed…or have they?!
At
the beginning of the play, the Dashwood’s are faced with a rather disagreeable
set of circumstances. Their father has
been placed in the unfortunate position of dying on them and leaving, as is
customary, his property and fortunes to his rather, easily manipulated, son,
John (Chris Murray), with his conniving wife, Fanny (Kelly Godell). She insists that his father’s faithful wife (Lisa
Birnbaum) and three daughters, Elinor (Danea C. Osseni), the eldest and more
studious one; the middle child, Marianne (Quinlan Fitzgerald), the
man-attractor; and Margaret (Violeta Picayo), the youngest and most vulnerable,
be ousted from the family estate with little resources.
They
do find help and some solace with Sir John Middleton (Darius Pierce), a distant
relative to the Dashwood’s, and his wife, Lady Middleton (Godell, again) and
his mother-in-law, Mrs. Jennings (Lauren Modica). Not only is it humiliating to be thrown to
the wolves but the town gossips of the idle rich have nothing better to do than
fuel the fires by constantly stirring the ashes. There is only one out for them and that is to
find a sympathetic man who would take a woman who has no dowry.
And
there are plenty of these dandies around. There is the more mature, but dashing, Colonel
Brandon (Ryan Quinn); a gentleman caller, Edward Ferrars (Jamie Smithson); and
John Willoughby (Murray, again), a rather pleasant man, but they all seem
attracted to the “pretty” one, Marianne.
Such seems to be the nature of a man, more interested in the turn of the
ankle, than the contents of the head and heart.
To discover the outcome, you’ll have to see it for yourself.
The
production is directed at a very brisk pace with furniture and actors being
shuttled around seemingly willy-nilly, especially in the first act. Although the audience seemed to quite enjoy
these antics, it does cloud any story or character development. It must have been a nightmare for the
director/cast to deal with. But, by the
second act, the comedy is less pronounced and the set/prop manipulations kept
to a minimum and this make for a stronger show.
The
cast is quite amazing, as they change roles and genders often, too, with
sometimes only a split-second turn-around.
Smithson has a wonderful few moments as brothers, one of which is a
comic marvel. But the star of the
evening was Modica, as a sort of Queen Bee for the young ladies. She has a long monologue in the second act,
tracing her frisky exploits as a young woman, which is so funny I was reduced
to tears laughing. She got a
well-deserved round of applause for it.
It was so well-delivered, it could be used a stand-up comedy routine,
and she is marvelous in this stand-out scene especially. Kudos to her!
I recommend this show. If you do choose to see it, please tell them Dennis sent
you.
--DJS
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