Photo by Adam Liberman |
“Two Roads Diverged…”
Portland’s Irish
theatre presents its new play by Eva O’Connor and directed by Melody Erfani at
the Boiler Room, Lincoln Hall, PSU (1620 SW Park Ave.) through March 13th
(parking can be an issue so plan your time accordingly). All Covid restrictions apply including
vaccine cards, masks, etc. For more
information, go to their site at www.corribtheatre.org
The above quote by renowned poet, Robert Frost, concerns a person at a crossroads in their travels, needing to make a decision on which of two paths to take through the woods. Upon deciding, there is always some twinge of regret on wishing they could be two people and traverse both roads. Such is the case with Maz (Elisa Frakes) and Bricks (Ken Yoshikawa)…and, I suspect, with most of us at one time or another, too.
Maz is an avid activist
and her latest cause is as a protester for Women’s rights over their own
bodies, in this case, abortion. Bricks
is a bit of a ne’er-do-well, who just likes to have fun but clings fiercely to
wanting to have a relationship with his daughter Yasmine, who was one of those
“accidental” children of a failed union.
So, they begin their chance meeting at loggerheads.
He also has some
issues with a recently, deceased broth, Anton, and some incomplete issues with
him…and also with his mother. Maz is no
stranger to issues herself with her mom, and the stances she takes politically differs
with some of the rest of society. A
“match made in Heaven,” it is not. But,
as is said, opposites attract and so they begin this dance of derision, in which
echoes of the past may overwhelm them, or do they create a “brave, new
world?” See for yourself….
Erfani has engaged
us in, at times, a compelling dance between two boxers in an arena, in which
one, or the other, will come out the winner, or will it be a draw?! It is done on an essentially bare stage,
which designer, Kyra Sanford, seems to want to suggest the setting doubling
back on itself as possibly, in Life, too.
And Frakes and Yoshikawa are terrific sparring partners in both their
dialogues and thought-provoking monologues.
And so, what is the
solution to this dilemma we call, relationships? Vonnegut may have said it best, when he suggested…simply
put one foot in front of the other, and then proceed…!
I recommend this
play. It does have raw language so be
prepared. If you do choose to see it,
please tell them Dennis sent you.
--DJS